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The Pink Panther is a series of comedy films featuring the bumbling French police detective Jacques Clouseau that began in 1963 with the release of the film of the same name. The role was originated by, and is most closely associated with, Peter Sellers. Most of the films were directed and co-written by Blake Edwards, with notable theme music composed by Henry Mancini.

Despite its use in the titles of most of the films of the series, the “Pink Panther” is not the Clouseau character, but a large and valuable fictitious diamond of the same name which is the “MacGuffin” of the first film in the series.[1] The phrase reappears in the title of the fourth film, The Return of the Pink Panther, in which the theft of the diamond is again the center of the plot; that film also marked the return of Sellers to the role after a gap of ten years, which may have contributed to some confusion between the character and the diamond. The phrase has been used for all the subsequent films in the series, even when the jewel does not figure into the plot (the diamond has only appeared in six of the eleven films in the series).

The first film in the series had an animated opening sequence, created by DePatie-Freleng Enterprises and set to the theme music by Henry Mancini, which featured the Pink Panther character. This character, designed by Hawley Pratt, was subsequently the subject of its own series of animated cartoons – as well as being featured in the opening of every movie in the Pink Panther film series except A Shot in the Dark and Inspector Clouseau.

Films and themes

Although the two most recent Pink Panther films starred Steve Martin, most of the films in the series starred Peter Sellers as Inspector Clouseau and were directed and co-written by Blake Edwards. The popular jazz-based theme music was composed by Henry Mancini. In addition to the credits sequences, the theme accompanies any suspenseful sequence involving “the Phantom” at work on a theft, both in the first and in subsequent films.

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Mancini’s other themes for the first film include an Italian-language set-piece called “Meglio Stasera” whose purpose seems primarily to introduce young actress Fran Jeffries. Portions of an instrumental version also appear in the film’s musical score several times. Other segments include “Shades of Sennett”, a “honky tonk” piano number introducing the film’s climactic chase scene through the streets of Rome. Most of the remaining tracks on the soundtrack album are early 1960s orchestral jazz pieces, matching the style of the era. Although variations of the main theme would be reprised for many of the Pink Panther series entries, as well as the cartoon series, Mancini composed a different theme for A Shot in the Dark.

The Pink Panther of the title is a diamond supposedly containing a flaw which forms the image of a “leaping panther”, which can be seen if held up to light in a certain way. This is explained in the beginning of the first film, and the camera zooms in on the diamond to reveal the blurry flaw, which focuses into the Panther (albeit not actually leaping) to start the opening credits sequence (this is also done in Return). The plot of the first film centers around the theft of this diamond, which is mentioned in only five other films in the series (The Return of the Pink Panther, Trail of the Pink Panther, Curse of the Pink Panther, and the 2006 remake of The Pink Panther and the remake’s sequel The Pink Panther 2). The name “the Pink Panther” became attached to Inspector Clouseau, in much the same way that “Frankenstein” has been used in film titles to refer to Dr. Frankenstein’s creation or The Thin Man was used in a series of detective films.

A Shot in the Dark, a film which was not originally intended to feature Inspector Clouseau, is the only film in the series (besides Inspector Closeau) that features neither the diamond nor the distinctive animated Pink Panther in the opening credits and ending. Many critics, including Leonard Maltin, regard this film as the best in the series.

In the original Pink Panther movie, the main focus was on David Niven’s role as Sir Charles Lytton, the infamous jewel thief nicknamed “the Phantom”, and his plan to steal the Pink Panther from its owner. The animated Pink Panther actually symbolizes Lytton. The Inspector Clouseau character plays only a supporting role as Lytton’s incompetent antagonist, and provided slapstick comic relief to a movie that was otherwise a subtle, lighthearted crime drama, a somewhat jarring contrast of styles which is not atypical of Edwards’ films. The popularity of Clouseau caused him to become the main character in subsequent Pink Panther films, which were more straightforward slapstick comedies.

Mancini’s theme, with variations in arrangement, is used at the start of all but a few of the Clouseau films.

As of 2009, eleven Pink Panther films have been made, all but two having “Pink Panther” in the title:

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Dark Pink XVII Presentation

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